Wave Goodbye
Thank God for the Sinners
Finger
Possession
Glass
Buildings
Void
Black Paint
Whisper
Call the Doctor
Imaginary Person
She
Manipulator
Girlfriend
Monday night at the Sydney Opera House felt like something truly special. Cameron Winter put on a show that will live long in the memory of all those that were lucky to attend. Winter is the lead singer of Geese, who have taken all before them in the last year. I was very lucky to see Geese last week and they put on a phenomenal show. Winter's show was just as good. He released his solo debut album, 'Heavy Metal' in December 2024 and it has been on constant rotation for me since then. So I was super excited to see him live. He walked on stage in jeans and a hoodie, but once he sat down at the grand piano he produced magic. We received 7 songs from 'Heavy Metal' and I was in awe of all of them. Of course 'Love Takes Miles' is an instant classic but I think my favourites were 'Drinking Age' and '$0". Winter is a generational talent and his piani playing is delicate and inspired. He barely spoke a word, but he let his music do the talking. He also played three new songs, which he has been trying out live. My favourite of these was 'Sandbag'. Hopefully he might have another album in the works. When he finished an adoring crowd gave him a very loud and long standing ovation. He returned to play 'Take It With You' in the encore. When he finished we knew this had been a very special night.
Geese performed a monumental show Wednesday night at the Metro Theatre. A very hot, sweaty and packed room was there for the band of 2025. Geese conquered the world last year and they definitely lived up to the hype. It was an electric show with an excited crowd singing and dancing to every single song. It was quite thrilling in truth to see a band be 'in the moment'. A band of such incredible talent and one destined for greater things. Last year they released 'Getting Killed' and it was easily my favourite album of 2025. It was for many critics too. So when they opened with 'Husbands' it was a sign of just how great the show would be. They ended up playing eight of the songs from 'Getting Killed' and they were spectacular. My only small regret was that they didn't play 'Cobra' but otherwise I couldn't complain. 'Islands of Men' was a cosmic delight and 'Half Real' was beauty personified. 'Bow Down' was amazing and of course 'Taxes' tore the roof off. They still had time for older tracks too with '2122' being a true rocket blast. The encore was short and sweet with 'Trinidad' sending the room into a total frenzy. Then they left. They came and conquered. Even though they are a young band they combine beautifully together. Max Bassin is a phenomenal drummer and Emily Green is an intuitive guitarist. And of course all eyes were on lead singer Cameron Winter. He has a howling voice and is very charismatic. This show will live long in my memory without a doubt.
Lucy Dacus gave us all a glorious show Tuesday night at the Sydney Opera House. She has come a long way since playing the Oxford Art Factory a few years back. Now she is selling out the iconic venue before a very excited audience. Lucy's latest album, 'Forever Is a Feeling', from last year was a fine album but I don't think it was nearly as good as her first three albums. But hearing the songs live was still a great experience. Thanks to the force of personality of Lucy and the greatness of her band. 'Ankles' and 'Talk' early on were especially good. But my favourites were some older tunes such as 'VBS' and 'Hot & Heavy'. I'm still also glad that Lucy plays 'I Don't Wanna Be Funny Anymore', a great song from her very first record. She also played 'Planting Tomatoes', a new song she has been playing recently. I thought the show lost a little momentum towards the end with a few songs from her latest album that don't quite do it for me such as 'Bullseye' and 'Best Guess'. But the encore was super special and ended the night on a super high. Lucy played 'Trust' solo, a song also from her first album and then did a Boygenius cover which was sung along with total gusto. Of course she closed with 'Night Shift' which is surely her signature song and was just enormous live once again. Lucy is such a special performer and it was great to see her again last night.
Nick Cave and The Bad Seeds are pure Australian legends. I have seen them several times now and they never disappoint. So it proved Saturday night on a beautiful summer night at The Domain. For close to two and a half hours they gave us a wonderful night of music. They rocked, they serenaded, they connected emotionally. This was The Wild God tour, named for their 2024 album. They would play 8 songs from that wonderful record. They really translated well live. Especially the title track, as well as ‘Frogs’ and ‘Conversion’. Of course they gave us all the classics too. My favourites were ‘Jubilee Street’, ‘From Her to Eternity’ and ‘The Mercy Seat’. Nick Cave is still the magnetic frontman. He commands a stage like no other. He loves to connect with his adoring fans. And of course The Bad Seeds are electric live. The encore was really special too. Australian classic ‘Shivers’ was played and then Nick closed this magnificent night playing ‘Into My Arms’ solo on piano. A perfect way to end a great night.